‘Namaslay’ Directing Duo Rish and Kanish Are “Frustrated” with Hollywood
“We recognize, as Indian filmmakers, that in that tradition of masala cinema, it can actually make a film more commercial...
Interview
‘Filipiñana’ Director Rafael Manuel on the Film’s Philippine Homecoming: “This Was Made for Them”
“To be completely honest with you, I’m nervous.”
Kiyoshi Kurosawa “Tried to Find Freedom” Within the Chamber of ‘The Samurai and the Prisoner’
“It was a very exciting new challenge"
Filmmaker Cyril Aris Sees Hope as an Act of Resistance in ‘A Sad and Beautiful World’
Filmmaker Cyril Aris sees art as a social duty to "reassert our presence and our culture and celebrate it."
With ‘Renoir’ Chie Hayakawa Wanted to “Focus on Themes That Were Difficult to Explain”
"With 'Renoir,' I wanted to focus more on themes that were ineffable and difficult to explain or put into words."
Ely Buendia Admits Old Comments “Still Haunts Me” in ‘Eraserheads: Combo on the Run’
"Multiple truths can co-exist"
Siyou Tan Tackles Delinquent Behaviour in Singapore
“Singapore is young and it's still struggling with the things that teenagers struggle with — the sense of identity, who...
Curtis Lum Discusses ‘The Audacity’ and the Thrill of Playing the Corporate Climber
"You can’t be funny for the sake of being funny. What makes a scene funny is truth."
Joshua Garcia on ‘Meet, Greet & Bye,’ Family, and the Weight of Showing Up
"After doing this film, I realized that I should spend more time with my family."
Xiaodan He on Joan Chen, Authenticity, and the “Joyful” Process of Writing ‘Montreal, My Beautiful’
"I had no worry with the Western audience on how they would receive this movie, but for the Chinese community,...
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