With ‘Renoir’ Chie Hayakawa Wanted to “Focus on Themes That Were Difficult to Explain”
"With 'Renoir,' I wanted to focus more on themes that were ineffable and difficult to explain or put into words."
Interview
Ely Buendia Admits Old Comments “Still Haunts Me” in ‘Eraserheads: Combo on the Run’
"Multiple truths can co-exist"
Siyou Tan Tackles Delinquent Behaviour in Singapore
“Singapore is young and it's still struggling with the things that teenagers struggle with — the sense of identity, who...
Curtis Lum Discusses ‘The Audacity’ and the Thrill of Playing the Corporate Climber
"You can’t be funny for the sake of being funny. What makes a scene funny is truth."
Joshua Garcia on ‘Meet, Greet & Bye,’ Family, and the Weight of Showing Up
"After doing this film, I realized that I should spend more time with my family."
Xiaodan He on Joan Chen, Authenticity, and the “Joyful” Process of Writing ‘Montreal, My Beautiful’
"I had no worry with the Western audience on how they would receive this movie, but for the Chinese community,...
Joan Chen Discusses Desire, Motherhood, and Learning French for ‘Montreal, My Beautiful’
"There is an eternal longing in everyone to feel that love, to feel that spark, that wonder of someone else...
Yerin Ha on Joining ‘Bridgerton’ Season 4 and Expanding the World of the Ton
"When you have a physical mask, you actually feel more invincible."
From Sundance to Spirit Awards, ‘Lurker’ Filmmaker Alex Russell Looks Back on a Really Good Year
“Tension, I understand. I know how to write a scene about two people who have something unspoken between them —...
‘Meet, Greet & Bye’ Director Cathy Garcia-Sampana makes “films to touch the hearts of my audience”
"When I finally stepped into Philippine cinema, I fell in love with it, and in the process I immediately found...
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