‘Bedford Park’ Director Stephanie Ahn on How Motherhood “Opened My Eyes to What Vulnerability Was”
"Having a child for me opened my eyes to what vulnerability was. Not because she's vulnerable, but what kind of...
Interview
‘Ah Girl’ Director Ang Geck Geck Priscilla on Learning to Choose Herself: “We Can Choose the Life That We Really Want”
"In the end, it’s about Ah Girl choosing herself and finding the journey that she wants."
‘American Doctor’ Director Poh Si Teng Hopes Her Documentary Becomes “Irrelevant Tomorrow”
“There was this pin-drop silence when it came to talking about Gazan journalists that were executed and being killed."
‘Paper Flowers’ Director Mahesh Pailoor Understands His Responsibility in Adapting Shalin Shah’s Story
"I think what we did stayed true to what happened, but we did take some creative liberties. That’s partly the...
‘Namaslay’ Directing Duo Rish and Kanish Are “Frustrated” with Hollywood
“We recognize, as Indian filmmakers, that in that tradition of masala cinema, it can actually make a film more commercial...
‘Filipiñana’ Director Rafael Manuel on the Film’s Philippine Homecoming: “This Was Made for Them”
“To be completely honest with you, I’m nervous.”
Kiyoshi Kurosawa “Tried to Find Freedom” Within the Chamber of ‘The Samurai and the Prisoner’
“It was a very exciting new challenge"
Filmmaker Cyril Aris Sees Hope as an Act of Resistance in ‘A Sad and Beautiful World’
Filmmaker Cyril Aris sees art as a social duty to "reassert our presence and our culture and celebrate it."
With ‘Renoir’ Chie Hayakawa Wanted to “Focus on Themes That Were Difficult to Explain”
"With 'Renoir,' I wanted to focus more on themes that were ineffable and difficult to explain or put into words."
Ely Buendia Admits Old Comments “Still Haunts Me” in ‘Eraserheads: Combo on the Run’
"Multiple truths can co-exist"
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