Curtis Lum Discusses ‘The Audacity’ and the Thrill of Playing the Corporate Climber
"You can’t be funny for the sake of being funny. What makes a scene funny is truth."
Interview
Joshua Garcia on ‘Meet, Greet & Bye,’ Family, and the Weight of Showing Up
"After doing this film, I realized that I should spend more time with my family."
Xiaodan He on Joan Chen, Authenticity, and the “Joyful” Process of Writing ‘Montreal, My Beautiful’
"I had no worry with the Western audience on how they would receive this movie, but for the Chinese community,...
Joan Chen Discusses Desire, Motherhood, and Learning French for ‘Montreal, My Beautiful’
"There is an eternal longing in everyone to feel that love, to feel that spark, that wonder of someone else...
Yerin Ha on Joining ‘Bridgerton’ Season 4 and Expanding the World of the Ton
"When you have a physical mask, you actually feel more invincible."
From Sundance to Spirit Awards, ‘Lurker’ Filmmaker Alex Russell Looks Back on a Really Good Year
“Tension, I understand. I know how to write a scene about two people who have something unspoken between them —...
‘Meet, Greet & Bye’ Director Cathy Garcia-Sampana makes “films to touch the hearts of my audience”
"When I finally stepped into Philippine cinema, I fell in love with it, and in the process I immediately found...
Usman Riaz Made ‘The Glassworker’ for the Love of Art and “to take you to another world”
“The old Walt Disney cartoons, Pinocchio, Bambi, Snow White, done with so much integrity. I wanted to capture that feeling...
Bernard White Shakes Up the Industry with ‘Shook’: “This younger generation doesn’t take shit”
“They say I kicked the door open a little bit, but I feel like they have the chutzpah.”
“What kind of people are we?”: A Conversation with ‘Materialists’ Director Celine Song
"Love is this ancient feeling, this ancient mystery that makes life worth living makes fools of all of us."
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