Usman Riaz Made ‘The Glassworker’ for the Love of Art and “to take you to another world”
“The old Walt Disney cartoons, Pinocchio, Bambi, Snow White, done with so much integrity. I wanted to capture that feeling...
Interview
Bernard White Shakes Up the Industry with ‘Shook’: “This younger generation doesn’t take shit”
“They say I kicked the door open a little bit, but I feel like they have the chutzpah.”
“What kind of people are we?”: A Conversation with ‘Materialists’ Director Celine Song
"Love is this ancient feeling, this ancient mystery that makes life worth living makes fools of all of us."
Roshan Sethi and Karan Soni on ‘A Nice Indian Boy’: “I wanted it to feel true more than anything else”
“It annoys me because 'Notting Hill' is simply a rom-com, whereas our movie is a ‘queer South Indian rom-com.’"
The Choreography of Trust: Masayuki Suô and Kusakari Tamiyo on ‘Shall We Dance?’
"Just beyond that first step is where your dream waits."
Director Jerome Yoo Discusses His Journey from Short Films to His Debut Feature, ‘Mongrels’
"I wanted to write about what I knew best — sort of a tribute to my family's time in Canada."
‘My Love Will Make You Disappear’ Stars Kim Chiu and Paulo Avelino on First Loves and Pogi Shots
Kim Chiu and Paulo Avelino discuss reuniting for their third project and the people in their lives who supported them...
Sandra Oh Wanted to Investigate Death in ‘Can I Get a Witness?’ “Because I Fear It So Much”
"If there is only one true fact to life, it’s that there will be death. We can barely hang on...
Pirouz Nemati and Ila Firouzabadi on the ‘Universal Language’ of Friendship
"We started the film in the name of friendship, and I think friendship was our main message."
Sook-Yin Lee On Adapting ‘Paying For It’ With a ‘Rashomon’ Spin
"I felt that it was important for me to show the dangers of dating on my end."
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