‘Taiwan Travelogue’ Makes A Satisfying Meal Out of Taiwan’s Colonial History
Taiwan Travelogue draws the reader in with its pleasant armchair tourism before gently revealing the subtle dynamics of colonialism, classism,...
Review
‘The Secret World of Briar Rose’: Through A Darker, Queerer Looking-Glass
Part Sleeping Beauty and part Inception, The Secret World of Briar Rose is a queer retelling of the classic princess...
In ‘The Samurai and the Prisoner’, Mercy Is Still Power
His mercy is genuine, but it also begins to undo him.
Japan Cuts 2026: ‘Yoyogi Johnny’ Is a Dryly Funny Coming-of-Age Rehearsal
Satoshi Kimura’s coming-of-age comedy is slow, strange, talky, and sometimes so determined to play against obvious pleasure that it practically...
Japan Cuts 2026: ‘Tokyo Taxi’ Sees Yoji Yamada Taking the Scenic Route Through a Life
Tokyo Taxi is sentimental. There’s no point pretending otherwise. But sentimentality, in Yamada’s hands, can still have texture.
Japan Cuts 2026: A Marriage Comes Apart One Small Chore at a Time In ‘Sato and Sato’
'Sato and Sato' works because Kishii and Miyazawa keep the film from becoming a thesis with apartment clutter.
A Subway Corridor Turns Into a Moral Trap in ‘Exit 8’
Exit 8 doesn’t try to run away from its origins, unlike many video game adaptations before it.
Inside Out 2026 Review: ‘Whisperings of the Moon’ Forever Memorialises Its Late Director
Whisperings of the Moon is deceptively unassuming, eschewing overt style and scope in favour of a grounded approach to a...
Where Words Fail, ‘Two Seasons, Two Strangers’ Connects
Two Seasons, Two Strangers is less concerned with structure than with embracing moments.
‘Mabel’ Is Poetry in Motion
'Mabel' is like a crayon drawing composed of straightforward yet vividly colored lines, succeeding in evoking something more than the...
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