• About
  • Contact
  • Write For Us
No Result
View All Result
Donate
The Asian Cut
  • Home
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
  • Home
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
No Result
View All Result
The Asian Cut
No Result
View All Result

TIFF 2026: ‘Edward Said: Between Worlds’ Is Essential Viewing For Understanding Palestine

Rose Ho by Rose Ho
September 14, 2026
in Review
0
Edward Said speaks of his life work in the documentary Edward Said: Between Worlds

Photo Courtesy of TIFF

⭐⭐⭐⭐⭐

Rating: 4.5 out of 5.

The iconic academic and esteemed author of Orientalism and The Question of Palestine, Edward Said was a vital figure in postcolonial studies and a champion of the Palestinian people. The powerful documentary Edward Said: Between Worlds tells of his personal journey from Palestine and Egypt to the United States of America and his decades-long efforts in changing the Western view of the Middle East. Directed by Maiken Baird and made with the generous support of Said’s wife and children, who provided access to an extensive library of family photos and videos, as well as countless archival interviews from various international programs, the film effectively allows Said to relate everything in his own words — passionate, clear-eyed, and easy to grasp. 

Highlighting the key moments of his remarkable life, the critical thinker and political activist’s journey began in a middle-class family in Jerusalem, Palestine, but the young Said was displaced and exiled along with hundreds of thousands of Palestinians in 1948 when the State of Israel was formed. A second displacement occurred when he was sent away from his family in Egypt to go to the States for his education, eventually becoming part of the faculty at Columbia University. His entry into the public sphere began with the Six-Day War, an inciting incident where he witnessed firsthand how the West portrayed and viewed Arab people, and was inspired to properly represent his own people and counter invasive and insidious orientalist thought.

Edward Said: Between Worlds doesn’t shy away from the frustrations of Said’s work. He is shown verbally sparring and getting into shouting matches with biased reporters, interviewers, and members of the public who refused to listen or acknowledge his point of view. It’s quite telling that he states that it is easier for him to speak to an Israeli person than an American Zionist. It also looks at his complex relationship with the Palestine Liberation Organization (PLO) and Yasser Arafat: he was once part of the Palestinian National Council (PNC) of the PLO until resigning due to his dissatisfaction with the Oslo Accords signed by Arafat. 

RelatedStories

Anghlong Konyak and Sobino Rengma as Anghbah and his son Amao in the film Angh by Theja Rio.

TIFF 2026: ‘Angh’ Is a Beautiful Elegy for Nagaland’s Tribal History 

A still form the documentary Ba's Book of a man in a field walking towards two workers lifting a bale of hay

TIFF 2026: ‘Ba’s Book’ Turns a Father’s Memories Into a Family Affair

There is much more of Said’s life packed into the documentary — his stories of extended family members, his shocked reaction to the popular reception of Orientalism, his emotional return to his homeland — but his efforts toward representing Palestine as a publicly recognized intellectual take centre stage, as they should. It is especially useful to see how intertwined the Palestinian struggle is reflected in Said’s life, and it is gratifying to know how well-documented his work was. No matter your previous familiarity with the subject of Palestine, Edward Said: Between Worlds proves itself to be essential viewing for understanding the full picture of what happened (and is still happening now).

Now streaming on:
Streaming offers, powered by JustWatch

The Review

Tags: Edward SaidEdward Said Between WorldsMaiken BairdPalestineTIFF 2026Toronto International Film Festival
ShareTweet
Rose Ho

Rose Ho

Rose Ho is a film critic. After her art criticism degree, she started her personal film blog, Rose-Coloured Ray-Bans, and joined the visual arts editorial team of LooseLeaf Magazine by Project 40 Collective, a creative platform for Canadian artists and writers of pan-Asian background. In 2020, she received the Emerging Critic Award from the Toronto Film Critics Association.

Recommended For You

An extreme close-up of Amélie looking through a rose bush in Little Amélie or the Character of Rain.
Review

TIFF 2025: ‘Little Amélie or the Character of Rain’ Inspires Joy and Curiosity

Ramesha Nawal as Mariam staring behind a door from the movie In Flames.
Interview

‘In Flames’ Director Zarrar Kahn: “My Process Is Really Collaborative”

June 11, 2024
Tenzin Kunsel and Sonam Choekyi in 100 Sunset.
Review

TIFF 2025: ‘100 Sunset’ Shows the Duelling Views of a Toronto Tibetan Community

Cameron Bailey and Andy Lau holding an award posing on the TIFF red carpet
Festival Report

The Asian Cut’s 2023 Fall Festival Favourites

September 22, 2023
A young man laying on his side on a hill from the documentary No Other Land.
Review

‘No Other Land’ Highlights the Bleak Reality of Fighting Against Oppression

Yui Suzuki in Renoir.
Review

TIFF 2025: ‘Renoir’ Examines a Coming of Age in the Shadow of Grief

Next Post
The Assassin(s) starring Lee Min-ho, Park Hae-il, and Yoo Hai-jin.

TIFF 2026: ‘The Assassin(s)’ Turns A Real Government Conspiracy Into A Hyper-Competent Newsroom Thriller

Popular Stories

Director Roshan Sethi, Karan Soni as Naveen Gavaskar behind the scenes of A Nice Indian Boy

Roshan Sethi and Karan Soni on ‘A Nice Indian Boy’: “I wanted it to feel true more than anything else”

1 year ago
A long shot of a beach from inside a cave with a little girl staring forward and a group of young girls off to the side from the movie Seagrass.

‘Seagrass’ Unearths Intergenerational and Interracial Drama

Film still from The Gesuidouz by Kenichi Ugana

TIFF 2024: ‘The Gesuidouz’ Channels Aki Kaurismäki’s Absurdist Humour

Bad Axe documentary

Reel Asian 2022: ‘Bad Axe’ Shows The Strength In Family

Stephanie Hsu as Kat, Sabrina Wu as Deadeye, Ashley Park as Audrey, and Sherry Cola as Lolo in Joy Ride.

‘Joy Ride’ Is the Hilarious, Heartfelt, and Horny Movie We Didn’t Know We Were Waiting For

  • About
  • Contact
  • Write For Us

Copyright © The Asian Cut 2026. All rights reserved.
Privacy Policy | Terms of Use

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
No Result
View All Result
  • Home
  • About
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
  • Write For Us
  • Contact

Copyright © The Asian Cut 2026. All rights reserved.
Privacy Policy | Terms of Use