• About
  • Contact
  • Write For Us
No Result
View All Result
Donate
The Asian Cut
  • Home
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
  • Home
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
No Result
View All Result
The Asian Cut
No Result
View All Result

Reel Asian 2022: ‘Bad Axe’ Shows The Strength In Family

Calvin Law by Calvin Law
November 14, 2022
in Review
0
Bad Axe documentary

Photo Courtesy of IFC Films

⭐⭐⭐⭐

Rating: 4 out of 5.

After returning to his hometown, Bad Axe, Michigan, at the height of the 2020 pandemic, New York-based filmmaker David Siev passed the time by recording home videos of his family. At one point his father, Chun, asks, “Why are you filming everything?” And over the course of the documentary Bad Axe, Siev shows his father, and the audience, why.

Siev always felt that his family had a story to share with the world. Chun arrived in America as a refugee from war-torn Cambodia with his late mother, laying the foundations for an immigrant story that blossomed into a restaurant business and a family, which also includes Siev’s sisters, Jaclyn and Raquel, and their mother Rachel who is Mexican-American.

By following the Siev family through the troubled lockdowns, Bad Axe utilizes the power of observation in watching them work tirelessly for their community. We relish in their comfort with one another, and the pride they take in their restaurant. We also see the ways in which COVID impacted their daily lives, never shying away from the rough patches. Chun and Jaclyn, in particular, get into many rows with harsh words exchanged and frustrations boiling to the surface, as we see the Siev family become a target for racist attacks online and in-person. For instance, social media comments under a Bad Axe fundraiser telling them to return to Cambodia, and Raquel and Jaclyn getting slurs hurled at them by armed white supremacists at a BLM protest.

RelatedStories

KANON as Johnny Yoyogi and Mio Matsuda as Atsuko sitting on a bench in Yoyogi Johnny

Japan Cuts 2026: ‘Yoyogi Johnny’ Is a Dryly Funny Coming-of-Age Rehearsal

July 27, 2026
Chieko Baisho as Sumire Takano and Takuya Kimura as Koji Usami sitting on a park bench in Tokyo Taxi

Japan Cuts 2026: ‘Tokyo Taxi’ Sees Yoji Yamada Taking the Scenic Route Through a Life

July 23, 2026

The conflict between staying quiet and speaking up is central to Bad Axe, with no easy answers. Siev’s documentary becomes a source of contention as we realize in some ways, he is like us, an outsider — as Rachel points out, “You don’t live here [Michigan], you have no clue…it doesn’t cost you a damn thing.”

While Bad Axe documents the cost of their hardship, it also embraces their resilience. When Chun ruminates on his mental scars from the Cambodian Civil War, he reflects on how he can share his message with the next generation to heal their grief. And as the family bravely share their experiences, both the good and the bad, their voices form the potent themes of this documentary: the tensions arising from generational trauma, and the familial bonds of love that tie them together and alleviate their pain.

Now Streaming On

JustWatch

The Review

Tags: Bad AxeDavid SievDocumentaryReel AsianReel Asian 2022USA
ShareTweet
Calvin Law

Calvin Law

Calvin Law is an amateur film critic. He has completed a master's degree in film studies in the United Kingdom, and is currently based in Hong Kong. Calvin runs his own personal film blog, Reel and Roll Films, and his interest in spotlighting Asian and Asian diaspora stories led him to write for The Asian Cut. All of Calvin's content for Reel and Roll Films and other publications can be found on his Linktree.

Recommended For You

Sook-Yin Lee as Marielle Lau with her hand to her mouth in the short film 'A Fermenting Woman.'
Review

Reel Asian 2024: ‘A Fermenting Woman’ Keeps Up with the Best in Elevated Horror

Steven Yeun and Ali Wong staring at each other in the show Beef.
Review

Revenge Is a Raw and Bloody Affair in Netflix’s ‘BEEF’

Pavia Sidhu as Jassi standing next to a green moped looking at Yugam Sood as Mithu standing outside in the movie Dear Jassi.
Review

TIFF 2023: ‘Dear Jassi’ Is A Traumatic Reminder of the Ongoing Issue of Honour Killings

A medium close-up of Cynthia Erivo as Elphaba and Ariana Grande as Galinda in Wicked, as they stare up in awe of Emerald City.
Review

‘Wicked’ Is Shaky in Its Ascent to Defying Gravity

Dev Patel as Kid walking through a doorway with red light behind him in Monkey Man.
Review

Dev Patel Is Not Afraid to Go Ape in ‘Monkey Man’

Yerin Ha as Sophie Baek in Season 4 of Bridgerton.
Interview

Yerin Ha on Joining ‘Bridgerton’ Season 4 and Expanding the World of the Ton

February 6, 2026
Next Post
Big Fight in Little Chinatown documentary

Reel Asian 2022: ‘Big Fight in Little Chinatown’ Considers the Historic Value of Chinatowns

Popular Stories

Chloé Djandji as Tinh sitting at a desk studying in the movie Ru

‘Ru’ Displays the Full Beauty and Humanity of the Vietnamese Boat People’s Experience

A collage of Hayao Miyazaki's films.

The Legacy of Hayao Miyazaki (So Far)

3 years ago
Photo still from Leela

Reel Asian 2024: ‘Leela’ Captures the Sinister Threads of Womanhood in Small Towns

Photo still from Manila By Night

‘Manila by Night’: A Pinnacle of Philippine Cinema

2 years ago
Director Roshan Sethi, Karan Soni as Naveen Gavaskar behind the scenes of A Nice Indian Boy

Roshan Sethi and Karan Soni on ‘A Nice Indian Boy’: “I wanted it to feel true more than anything else”

1 year ago
  • About
  • Contact
  • Write For Us

Copyright © The Asian Cut 2026. All rights reserved.
Privacy Policy | Terms of Use

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
No Result
View All Result
  • Home
  • About
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
  • Write For Us
  • Contact

Copyright © The Asian Cut 2026. All rights reserved.
Privacy Policy | Terms of Use