• About
  • Contact
  • Write For Us
No Result
View All Result
Donate
The Asian Cut
  • Home
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
  • Home
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
No Result
View All Result
The Asian Cut
No Result
View All Result

‘The Tiger’s Apprentice’ Needs More Guidance

Karen K. Tran by Karen K. Tran
February 2, 2024
in Review
0
A group photo of a white tiger, blue dragon and a monkey sitting on his head, and a pre-teen boy in a yellow sweathshirt from the movie The Tiger's Apprentice.

Photo Courtesy of Paramount+

⭐⭐⭐

Rating: 2.5 out of 5.

Just in time for Lunar New Year, comes the premiere of the animated children’s film, The Tiger’s Apprentice from director Raman Hui. Originally planned for a theatrical release in 2022 which was the year of the tiger, the pandemic pushed back the release date and Paramount instead opted for a straight-to-streaming release.  

An adaptation of Laurence Yep’s action-adventure fantasy children’s novel of the same name, the film follows high school student Tom Lee (Brandon Soo Hoo) who lives with his eccentric grandmother (Kheng Hua Tan) in San Francisco. One day, he discovers that his family possesses magical powers and are tasked as guardians to protect a sacred stone that contains a phoenix, which is pursued by the evil Loo (Michelle Yeoh). He is guided by Mr. Hu (Henry Golding), one of the 12 Chinese zodiac animals who are  powerful warriors that help protect the lineage of guardians and can shapeshift between their respective animal and human forms. 

Notably, the inclusion of the guardians being associated with Chinese zodiacs departs from Yep’s novel where Mr. Hu (a tiger), Mistral (a dragon), and Monkey (a monkey, obviously) are the guardians of the stone and although they’re animals in the zodiac calendar, they don’t have any actual relation to the zodiacs.

RelatedStories

A Thousand Nights book cover

‘A Thousand Nights’ Reminds Us That All Humans Need Stories

Cover of Taiwan Travelogue by Yáng Shuāng-zǐ’

‘Taiwan Travelogue’ Makes A Satisfying Meal Out of Taiwan’s Colonial History

For The Tiger’s Apprentice, screenwriters David McGee and Christopher Yost not only add the overriding idea of the zodiacs, but also include the remaining nine animals with varying levels of involvement. It’s an unnecessary addition that feels to be only in service of padding the voice cast with star power. Yeoh, Lucy Liu, and Sandra Oh have appropriately sized supporting roles but other actors like Jo Koy, Greta Lee, and Sherry Cola have such little screen time, it comes as a big disappointment.

The animation is sincerely stunning — the fight choreography, intricate transitions, and animation style are visually exciting. However, the rest of the production is a letdown. The plot and dialogue seem confused, elaborating on background details that feel unimportant like his school life, while skipping over explanations that would be welcomed such as the history of the phoenix stone’s guardians, or Hu’s reputedly intimate relationship with the Lee family. 

Moreover, the movie tries to shoehorn as much popular Chinese culture as possible, while still appealing to a mainstream American audience which has become familiar only with martial arts, dim sum, and apparently Michelle Yeoh. Soo Hoo, who voices the main character Tom, doesn’t even pronounce 嫲嫲 / Maa Maa, the Cantonese word for paternal grandmother, properly.

The best children’s animated movies are the ones that the whole family can enjoy, with a good mix of jokes for all ages. Those are the types of movies that parents and kids will sit down to replay over and over, eventually remembering them as childhood favourites. The Tiger’s Apprentice is a fine choice if you’ve got an hour and 24 minutes to kill time or keep a young child occupied, but it’s no classic. 

Now Streaming On

JustWatch

The Review

Tags: Brandon Soo HooHenry GoldingKheng Hua TanMichelle YeohRaman HuiThe Tiger's ApprenticeUSA
ShareTweet
Karen K. Tran

Karen K. Tran

Karen K. Tran is a writer and photographer based in Guelph, Ont. Her work has appeared in The Globe and Mail, The Toronto Star, NEXT Magazine, Exclaim!, THIS Magazine, NOW Toronto, and more.

Recommended For You

Steven Yeun and Ali Wong staring at each other in the show Beef.
Review

Revenge Is a Raw and Bloody Affair in Netflix’s ‘BEEF’

Keanu Reeves as John Wick walking through a church wearing a black suit like a bad ass in the movie John Wick: Chapter 4.
Review

‘John Wick: Chapter 4’ Finds the Franchise’s Equilibrium

Composite image of Where Are You Really From and author Elaine Hsieh Chou.
Review

‘Where Are You Really From’ Digs into the Dark Side of Identity and Desire

Awkwafina as Katie Kim staring at a lottery ticket in the movie Jackpot.
Review

Awkwafina’s ‘Jackpot!’ Prizes Bored Indifference

Dinner scene at a restaurant in Ang Lee's The Wedding Banquet.
Review

Ang Lee Marries Eastern and Western Expectations in ‘90s Queer Rom-Com ‘The Wedding Banquet’

Yerin Ha as Sophie Baek in Season 4 of Bridgerton.
Interview

Yerin Ha on Joining ‘Bridgerton’ Season 4 and Expanding the World of the Ton

February 6, 2026
Next Post
Ramona S. Diaz, Maria Leonor “Leni” Robredo, Maria Ressa on the red carpet at Sundance 2024.

Ramona S. Diaz and Maria Ressa on ‘And So It Begins’, Press Freedom and the Need for Hope

Popular Stories

Masahiro Motoki as Lord Murashige Araki in The Samurai and the Prisoner.

Kiyoshi Kurosawa “Tried to Find Freedom” Within the Chamber of ‘The Samurai and the Prisoner’

4 weeks ago
Toshiro Mifune as Kikuchiyo from Seven Samurai standing in a field in front of five other men

‘Seven Samurai’: Of Myth and Realism

2 years ago
A group photo of a white tiger, blue dragon and a monkey sitting on his head, and a pre-teen boy in a yellow sweathshirt from the movie The Tiger's Apprentice.

‘The Tiger’s Apprentice’ Needs More Guidance

Nandita Das as Sita leans her head on the shoulder of Shabana Azmi as Radha in Fire.

Almost 30 Years Later, ‘Fire’ Still Blazes as a Seminal Text in Queer Cinema

2 years ago
Tôko Miura as Misaki Watari in Ryusuke Hamaguchi's "Drive My Car."

The Soft Power of Quiet Films: How Silence Speaks in Asian Storytelling

1 year ago
  • About
  • Contact
  • Write For Us

Copyright © The Asian Cut 2026. All rights reserved.
Privacy Policy | Terms of Use

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
No Result
View All Result
  • Home
  • About
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
  • Write For Us
  • Contact

Copyright © The Asian Cut 2026. All rights reserved.
Privacy Policy | Terms of Use