Going Home to ‘Mississippi Masala’
Mira Nair explores the fluidity of home through one of modern history’s most brazen acts of racism.
Mira Nair explores the fluidity of home through one of modern history’s most brazen acts of racism.
'The Namesake' doesn’t demand attention through spectacle or sentimentality; instead, it lingers in the small details.
Through a deliberate interplay of aesthetics, 'Amelia' frames flight as more than a profession, but a liberating sanctuary.
Despite its too-polished central figure, the film has a thought-provoking perspective.
Hope stretches across temporal fabric with an energetic yearning that only Soderbergh, with his deft ability to telegraph dire urgency, ...
Forcing us to reflect upon our own relationship with our own circumstances, 'Bita Joon' is exceedingly powerful and endlessly vast.
Brisk and sprinkled with a generous measure of sharp humour, 'Ben and Suzanne, A Reunion in Four Parts' leaves audiences ...
'Wicked' doesn’t always take off, but when it does, it really is defying gravity.
An effective and entertaining direction for the series, 'Interior Chinatown' is unable to make up for a thin central storyline.
'Starring Jerry as Himself' is as much about exploring truth as it is about recounting its protagonist’s strange and unsettling ...