Looking into The Queer Mirror of ‘Mulan’
Of all the Disney Princess films, 1998’s 'Mulan' is arguably the only one to utilize the mirror to unintentionally underline the...
Of all the Disney Princess films, 1998’s 'Mulan' is arguably the only one to utilize the mirror to unintentionally underline the...
'Fire' doesn’t hold its legacy merely on its milestone status, Deepa Mehta's film transmutes traditional female spaces into sensual moments.
In 'Peking Opera Blues,' Tsui Hark finds harmony between the beginning of China’s existence as a republic and the imminence...
'Merry Christmas, Mr. Lawrence' contains the desolation and whirling madness of life that Fyodor Dostoevsky wrote about so often.
Beneath the surface of 'Confessions' ion is a profound dissection of shame and its impact on maternal identity.
The brilliance of 'Boat People' is that there’s no pretence of journalism being “objective” or “impartial.”
Exploring the impact of Eiko Ishibashi's score on 'Evil Does Not Exist.'
Finding parallels between the seemingly futile pursuit of art today and in Lee Chang-dong's 'Poetry'.
Moving presents an unusual look at the superhero genre that is more about the people and their relationships than outright action.
For The Queer Dispatch's maiden voyage, Jericho Tadeo examines the legacy of 'Lilting' in queer cinema.