TIFF 2024: ‘Winter in Sokcho’ Turns a Vague Work Even More Ambiguous
An exploration into the complexities of cultural identity, that's enjoyable to investigate but could have been examined even further.
An exploration into the complexities of cultural identity, that's enjoyable to investigate but could have been examined even further.
'Boong' embodies an upbeat energy, creating a vibrant and engaging portrait of a young boy and his best friend.
'Seven Days' brilliantly captures the personal and human cost of fighting for human rights.
'Paying For It' offers a more satisfying version of the 2011 memoir while displaying a delightful snapshot of Toronto in the early 2000s.
While 'Anywhere Anytime' follows in the footsteps of 'Bicycle Thieves,', Milad Tangshir has succeeded in creating a work that is distinctly his own.
From indie picks to Cannes darlings, The Asian Cut selects their most anticipated films from the 49th edition of the Toronto International Film Festival.
Director Zarrar Kahn and producer Anam Abbas speak to the horror elements of their movie, 'In Flames,' and filming in Karachi.
Anthony Chen discusses how 'The Breaking Ice' differs from his previous films.
Even with ample action and a truly tantalising score, this one doesn’t quite live up to expectations.
The Asian Cut picks our favourite films from the 2023 editions of the Venice Film Festival and the Toronto International Film Festival.