In its steadfast commentary on the seemingly inherent superficiality of modern dating, it ends up failing to say anything profound about it.

A valiant effort that clearly aims to be a commercially successful – if not, artistically sound – cinematic product.

Although not void of any imperfections, Missing Johnny serves as a thoughtful examination of modern day existence from first time director Xi Huang

Ang Lee’s seminal 1993 classic 'The Wedding Banquet' gets a millennial-era refresh in the 2025 reimagining by Andrew Ahn.

Mei-Juin Chen chooses to float in tepid middle ground that’s too tame for its own good.

A cinematic meditation that avoids straying too far into the experimental or essayistic.

Jang Jae-hyun’s 'Exhuma' unearths more than a haunted grave—it digs into the roots of Korean history and the uneasy truce between superstition and reality.

Jun Li’s Queerpanorama turns its lens on the very beauty of gay hook-up culture, asking: is a connection less honest if you lay bare your...

While the film has its moments, its uneven execution makes it difficult to fully embrace it.

'Can I Get A Witness?' has an instantly intriguing premise, but it fails to fulfill its potential as a fun bit of speculative fiction.