‘The Namesake’: A Delicate Meditation on Diaspora, Identity, and the Stories We Carry
'The Namesake' doesn’t demand attention through spectacle or sentimentality; instead, it lingers in the small details.
'The Namesake' doesn’t demand attention through spectacle or sentimentality; instead, it lingers in the small details.
Through a deliberate interplay of aesthetics, 'Amelia' frames flight as more than a profession, but a liberating sanctuary.
Despite its too-polished central figure, the film has a thought-provoking perspective.
Hope stretches across temporal fabric with an energetic yearning that only Soderbergh, with his deft ability to telegraph dire urgency, could have managed.
Forcing us to reflect upon our own relationship with our own circumstances, 'Bita Joon' is exceedingly powerful and endlessly vast.
Brisk and sprinkled with a generous measure of sharp humour, 'Ben and Suzanne, A Reunion in Four Parts' leaves audiences with a definite sting.
'Wicked' doesn’t always take off, but when it does, it really is defying gravity.
An effective and entertaining direction for the series, 'Interior Chinatown' is unable to make up for a thin central storyline.
'Starring Jerry as Himself' is as much about exploring truth as it is about recounting its protagonist’s strange and unsettling experience.
Anderson .Paak seems capable of crafting a cohesive story, but doesn’t display the flares of creative ingenuity he has as a musician.