The Cadence of Contagion in ‘Thirst’
To watch 'Thirst' is to be pulled back into the body, is to be infected by it — it feels like a study in full immersion.
To watch 'Thirst' is to be pulled back into the body, is to be infected by it — it feels like a study in full immersion.
The Handmaiden has all the trademarks of a great thriller. But it’s the sex that gives pause, specifically, how it is executed.
Park Chan-wook has explored many genres, but his most fundamental inquiry seems to be connected to the ugliness of human instinct.
Park Chan-wook’s first English language feature 'Stoker' is a polished and deliberately unsettling coming-of-age story with a heavy dose of Southern Gothic flair.
Twenty years later, 'Oldboy' continues to stir, disgust, and exhaust audiences — regardless of how difficult it is to avoid spoilers.
Beyond its violent exterior, 'Sympathy for Mr. Vengeance' is a stark examination of familial responsibility and the crushing weight it can impose.
Exploring the history of South Korean cinema and the political and social changes that influenced its evolution from the '90s New Wave to today.
Speaking with director Park Chan-wook about his journey from 'Old Boy' to 'Decision to Leave.'