‘The Handmaiden’: Male Fantasies in a Doll House
The Handmaiden has all the trademarks of a great thriller. But it’s the sex that gives pause, specifically, how it is executed.
The Handmaiden has all the trademarks of a great thriller. But it’s the sex that gives pause, specifically, how it is executed.
Making the case for the inclusion of 'Your Name Engraved Herein' in the Queer Canon.
Entertaining in the expected ways, 'Kill Boksoon' adds an extra layer of weight through the mother-daughter relationship.
There’s no denying director Daishi Matsunaga’s keen eye for creating characters that come alive on the screen.
Exploring the landmark kiss in Arakon’s 'Ver Elini Istanbul (Istanbul Come My Way)' and its problems in retrospect.
'Fire' doesn’t hold its legacy merely on its milestone status, Deepa Mehta's film transmutes traditional female spaces into sensual moments.
'Merry Christmas, Mr. Lawrence' contains the desolation and whirling madness of life that Fyodor Dostoevsky wrote about so often.
Studio executive turned author Justinian Huang discusses his potentially daunting career pivot.
'All Shall Be Well' displays a calmer, more stable stasis of being an older couple.
Speaking with director Fawzia Mirza about her film 'The Queen of My Dreams.'