‘Invisible Nation’ Fails to Deliver on Its Promises at the Expense of Its Subject
There is a potential to do something intimately powerful like Navalny here, but as a profile documentary, 'Invisible Nation' is a failure.
There is a potential to do something intimately powerful like Navalny here, but as a profile documentary, 'Invisible Nation' is a failure.
Khoa Lê’s film operates on an exciting new level of documentary filmmaking that we haven’t really seen before.
Part-narrative feature, part-documentary, 'Desire Lines' is a steamy and insightful investigation of the space where gender expression and sexual orientation intersect.
During Sundance 2024, we spoke with Ramona S. Diaz and Maria Ressa about their documentary 'And So It Begins.'
More tender-hearted and observational than it is examinational, in effect working on a different plane than traditional documentaries.
Rama Rau discusses her documentary 'Coven' and the responsibility of filmmakers.
Encourages viewers to research Canada’s history beyond the already well-known poor treatment of Chinese railway workers.
The film carries a glimmering world of hope within it, but at its core it achingly reminds how difficult hope-building can be.
A shocking revelation of stolen childhoods, unhappy family dynamics, and combative sexual politics.
What’s most remarkable about 'Some Women' is the relationship between the camera and the subject.