Tag: Cannes 2024

'Caught by the Tides' is interesting on a metatextual level, even if only on that level.

Like many big-budget Chinese productions these days, 'She’s Got No Name' is an over-stylized mess.

'Twilight of the Warriors: Walled In' might not be director Soi Cheang’s best work, but it’s one of his most successful.

Even though there is still room for refinement, there is no denying Payal Kapadia is bursting with talent.

'The Seed of the Sacred Fig' is more than just “set against the backdrop” of the 2022 Mahsa Amini protests.

Despite flaws in the script, 'Mongrel' shows abundant stylistic confidence.

A rare, original breakthrough in Asian American cinema.

Its national and stylistic identity crafts a film that’s at once distinctly Canadian and Iranian.

A docufiction hybrid film relegated to an unglamourous “special screenings” spot, but one of the most fascinating films at Cannes.

A story of connection and redemption through the bond between dog and man.