Forcing us to reflect upon our own relationship with our own circumstances, 'Bita Joon' is exceedingly powerful and endlessly vast.

Brisk and sprinkled with a generous measure of sharp humour, 'Ben and Suzanne, A Reunion in Four Parts' leaves audiences with a definite sting. 

It’s always a brilliant experience when a film succeeds in portraying queer characters as complete humans with a deep-rooted authenticity.

An elaborate concoction of suspicion, frustration, and conspiracy.

At film's end, 'Leela' leaves audiences reflecting on their internal somber thoughts.

Breaking down the boundaries between the internal and the external, 'Monsoon Blue' is a bizarre, dream-like experience.

Park Chan-wook has explored many genres, but his most fundamental inquiry seems to be connected to the ugliness of human instinct.

The miracle that Kurosawa achieves with 'Seven Samurai' is placing classical heroes in a grounded and realistic, yet fictional universe.

'Fire' doesn’t hold its legacy merely on its milestone status, Deepa Mehta's film transmutes traditional female spaces into sensual moments.

'Bramayugam' offers just the right kind of thrills and questions for audiences to appreciate.