An effective and entertaining direction for the series, 'Interior Chinatown' is unable to make up for a thin central storyline.

Lucky Star considers the mistrust that lingers long after the debts have been paid in a gripping family drama.

'Song for No One' embodies the grief and hope associated with the loss of a loved one.

A film so boring and stilted, I couldn’t even be entertained by what makes it so painstakingly bad. 

Twenty years later, 'Oldboy' continues to stir, disgust, and exhaust audiences — regardless of how difficult it is to avoid spoilers.

We caught up with Kōki at home in Japan to discuss what drew her to 'Touch' & working with Masahiro Motoki.

In comparing Haruki Muakami's short story and Ryusuke Hamaguchi's film, 'Drive My Car' creates two narratives for Misaki.

Directors Shannon Tindle and John Aoshima discuss the Easter eggs and inspirations for their film 'Ultraman: Rising.'

The cast of Netflix's 'Ultraman: Rising' discuss their work in the film.

In 'Peking Opera Blues,' Tsui Hark finds harmony between the beginning of China’s existence as a republic and the imminence of the Hong Kong handover.