The Monstrous and Beautiful: Mina Ikemoto Ghosh on ‘Numamushi’
In conversation with The Asian Cut, Ghosh shares about her inspirations, multicultural background, and the personal resonance behind her work.
Lauren Hayataka holds a Bachelor of Science in Religion: Biblical and Theological Studies and a Master of Arts in Communications from Liberty University. Based in Michigan, she currently works for Dotdash Meredith and contributes as a reviewer for Independent Book Review.
In conversation with The Asian Cut, Ghosh shares about her inspirations, multicultural background, and the personal resonance behind her work.
A tender and thoughtful exploration of ambition, family, and the cost of greatness.
While the early moments of 'Mould' seem to promise tension, the film struggles to sustain it.
A harried assistant collapses at work and finds unexpected freedom as a hospital patient.
At the heart of Rina Olsen’s latest novel, 'The Water Stricken,' is her ability to blend careful historical research with folklore and fantasy.
"'Sleep' reflects a current shift in how people, especially in Korea, view marriage," director Jason Yu tells The Asian Cut.
A collection of dichotomies: intimate yet claustrophobic; deafening in its quietness while stifling in its sound.
Beyond its violent exterior, 'Sympathy for Mr. Vengeance' is a stark examination of familial responsibility and the crushing weight it can impose.
Considering the complex world of shamanism in Thailand through the gender dynamics of 'The Medium.'
Beneath the surface of 'Confessions' ion is a profound dissection of shame and its impact on maternal identity.