The strength of 'The Last of the Sea Women' is in its ability to hold space for contradictions.

Through a deliberate interplay of aesthetics, 'Amelia' frames flight as more than a profession, but a liberating sanctuary.

In conversation with The Asian Cut, Ghosh shares about her inspirations, multicultural background, and the personal resonance behind her work.

A tender and thoughtful exploration of ambition, family, and the cost of greatness.

While the early moments of 'Mould' seem to promise tension, the film struggles to sustain it.

A harried assistant collapses at work and finds unexpected freedom as a hospital patient.

At the heart of Rina Olsen’s latest novel, 'The Water Stricken,' is her ability to blend careful historical research with folklore and fantasy.

"'Sleep' reflects a current shift in how people, especially in Korea, view marriage," director Jason Yu tells The Asian Cut.

A collection of dichotomies: intimate yet claustrophobic; deafening in its quietness while stifling in its sound.

Beyond its violent exterior, 'Sympathy for Mr. Vengeance' is a stark examination of familial responsibility and the crushing weight it can impose.