Jang Jae-hyun’s 'Exhuma' unearths more than a haunted grave—it digs into the roots of Korean history and the uneasy truce between superstition and reality.

While the film has its moments, its uneven execution makes it difficult to fully embrace it.

The strength of 'The Last of the Sea Women' is in its ability to hold space for contradictions.

Through a deliberate interplay of aesthetics, 'Amelia' frames flight as more than a profession, but a liberating sanctuary.

In conversation with The Asian Cut, Ghosh shares about her inspirations, multicultural background, and the personal resonance behind her work.

A tender and thoughtful exploration of ambition, family, and the cost of greatness.

While the early moments of 'Mould' seem to promise tension, the film struggles to sustain it.

A harried assistant collapses at work and finds unexpected freedom as a hospital patient.

At the heart of Rina Olsen’s latest novel, 'The Water Stricken,' is her ability to blend careful historical research with folklore and fantasy.

"'Sleep' reflects a current shift in how people, especially in Korea, view marriage," director Jason Yu tells The Asian Cut.