Phillipa Soo does solid work in untangling Emma’s internal conflict, but, opposite her leading men, often appears as if she’d rather not be there.

An oral history of Michael Fukushima, a pioneer in Canadian animation and Asian Canadian cinema.

It’s almost inevitable to see parallels between 'Powai' and Alejandro González Iñárritu’s Death Trilogy.

In conversation with filmmaker Yoko Okumura about her new Blumhouse horror 'Unseen.'

Park Ji-min is fearless in her portrayal of Freddie’s complicated, and at times contradictory, desires, and generous in her vulnerability.

The aesthetic verges on the sterile, with its clean visuals and threadbare score underlining the grim circumstances.

What’s most remarkable about 'Some Women' is the relationship between the camera and the subject.

Chatting with filmmaker Romeo Candido about his latest series 'Topline.'

If Tala and her family are the emotional foundation of 'Topline,' then the music is its real star.

Reassessing and redefining what makes a Canadian film, Canadian.