'Caught by the Tides' is interesting on a metatextual level, even if only on that level.

Like many big-budget Chinese productions these days, 'She’s Got No Name' is an over-stylized mess.

There is a potential to do something intimately powerful like Navalny here, but as a profile documentary, 'Invisible Nation' is a failure.

Even though there is still room for refinement, there is no denying Payal Kapadia is bursting with talent.

'The Seed of the Sacred Fig' is more than just “set against the backdrop” of the 2022 Mahsa Amini protests.

Despite flaws in the script, 'Mongrel' shows abundant stylistic confidence.

A rare, original breakthrough in Asian American cinema.

A docufiction hybrid film relegated to an unglamourous “special screenings” spot, but one of the most fascinating films at Cannes.

The brilliance of 'Boat People' is that there’s no pretence of journalism being “objective” or “impartial.”