Venice Film Festival 2023: ‘Ser Ser Salhi’ Enlivens the Coming of Age Tale
An extremely impressive feature film debut expanding upon Lkhagvadulam Purev-Ochir's previous work.
Calvin Law is an amateur film critic. He has completed a master's degree in film studies in the United Kingdom, and is currently based in Hong Kong. Calvin runs his own personal film blog, Reel and Roll Films, and his interest in spotlighting Asian and Asian diaspora stories led him to write for The Asian Cut.
All of Calvin's content for Reel and Roll Films and other publications can be found on his Linktree.
An extremely impressive feature film debut expanding upon Lkhagvadulam Purev-Ochir's previous work.
Somewhere between the stylistic influences and themes of 'Lost in Translation' and 'Hiroshima Mon Amour'.
Striking in its exploration of a business that has become almost synonymous with the Korean-American immigrant identity.
A vibrant portrait of the Hmong community and traditions, and the eloquent articulation of a deeper narrative.
Considering Michelle Yeoh’s performance as the balancing force between Chow Yun-fat's Mu Bai and Zhang Ziyi’s Jen.
Documenting the cost of hardship, while also embracing resilience.
Comparing the effect and consequences of 'Free Chol Soo Lee' and 'Who Killed Vincent Chin?'.