Busan 2024: ‘April’ Showers Brings Omni-Benevolence
The power of Dea Kulumbegashvili’s work is such that we grow to understand why she persists despite the vitriol and violence hurled at her.
Calvin Law is an amateur film critic. He has completed a master's degree in film studies in the United Kingdom, and is currently based in Hong Kong. Calvin runs his own personal film blog, Reel and Roll Films, and his interest in spotlighting Asian and Asian diaspora stories led him to write for The Asian Cut.
All of Calvin's content for Reel and Roll Films and other publications can be found on his Linktree.
The power of Dea Kulumbegashvili’s work is such that we grow to understand why she persists despite the vitriol and violence hurled at her.
'The Wolves Always Come At Night' achieves a multitude of aims through its carefully constructed approach.
'Boong' embodies an upbeat energy, creating a vibrant and engaging portrait of a young boy and his best friend.
'Seven Days' brilliantly captures the personal and human cost of fighting for human rights.
Director Elizabeth Lo welds contrasting concepts of love together using pristine cinematography and swooning soundtracks juxtaposed with uncomfortable conversations about fidelity and failing.
An immaculately crafted work by one of the great, most distinct directors working today.
An affectionate tribute to the Montana cattle ranch setting and the warm bonds made within it.
'Super Happy Forever' rewards patience as it unravels into a fulfilling, heartwarming film.
In what could be her Hollywood breakthrough, Joan Chen delivers a devastating performance in Sean Wang's film, 'Dìdi'.
Contains a particularly memorable use of kerosene fluid and a lighter creating one of the most satisfying finishing moves.