The Kind Gaze of Time in ‘In the Mood for Love’
Time in 'In the Mood for Love' carries an urgency that feels pregnant, an intentionality that is unignorable.
Time in 'In the Mood for Love' carries an urgency that feels pregnant, an intentionality that is unignorable.
Rama Rau discusses her documentary 'Coven' and the responsibility of filmmakers.
Filmmaker V.T. Nayani speaks about her experience growing up in Toronto's art scene.
What happens when a film’s appeal hinges only on its ability to evoke nostalgia and depends only upon our memories of an actor’s past career?
In conversation with filmmaker Martika Ramirez Escobar about her latest film 'Leonor Will Never Die.'
The film carries a glimmering world of hope within it, but at its core it achingly reminds how difficult hope-building can be.
The grace extended to Imran is 'Sort Of'’s running theme, modus operandi — its gift to us.
Speaking with director Kawawada Emma about her film 'My Small Land.'
Endlessly watchable for all the giddy joy it takes in parody and the various existential questions it raises.
Jason Karman reinvigorates the genre, ultimately pointing to his talent as a director able to tell fulsome tales that feel like a life lived.