In conversation with The Asian Cut, Ghosh shares about her inspirations, multicultural background, and the personal resonance behind her work.

"Ultimately, it's a satire, and we hope there's one surreal moment for each chapter."

“We try to have it be more like a chef’s menu, but there’s also some things that are more like your comfort dish.”

At the heart of Rina Olsen’s latest novel, 'The Water Stricken,' is her ability to blend careful historical research with folklore and fantasy.

“If I hadn’t landed that job at Disney, I don’t know where I’d be right now. I’d probably still be coding somewhere in aerospace.”

Imelda Marcos demanded 'Manila by Night' be changed to 'City After Night,' believing the film gave her city a bad name. Too bad for her.

"'Sleep' reflects a current shift in how people, especially in Korea, view marriage," director Jason Yu tells The Asian Cut.

The Asian Cut chooses our favourite movies from the 49th edition of the Toronto International Film Festival.

From indie picks to Cannes darlings, The Asian Cut selects their most anticipated films from the 49th edition of the Toronto International Film Festival.

The Handmaiden has all the trademarks of a great thriller. But it’s the sex that gives pause, specifically, how it is executed.