'The Namesake' doesn’t demand attention through spectacle or sentimentality; instead, it lingers in the small details.

Through a deliberate interplay of aesthetics, 'Amelia' frames flight as more than a profession, but a liberating sanctuary.

"We started the film in the name of friendship, and I think friendship was our main message."

"I felt that it was important for me to show the dangers of dating on my end."

The Asian Cut speaks to the director of 'The Colors Within' to discuss creating the character of Totsuko and the influence of Catholicism.

There is no better film to illustrate the distinctive style of filmmaker Mira Nair than her debut feature film, 'Salaam Bombay!'.

Reporting from the 18th Five Flavours Asian Film Festival, Olivia Popp shares her highlights and favourites.

"For me, Sana incarnates the young generation of Iran that took us all by surprise during the Woman, Life, Freedom movement with its courage"

The Asian Cut editors and contributors pick their favourite films from Asia and the Asian diaspora in 2024.

In conversation with The Asian Cut, Ghosh shares about her inspirations, multicultural background, and the personal resonance behind her work.